|
|
 |
|
|
Domesticities
|
|
Private life has been thoroughly recast as newer consumption styles, architectural designs and work cultures gain acceptance in the city. Private space is designed and used quite differently in an apartment compared with the individual home. In many middle class homes of the 1950s and 1960s, domestic space was partitioned into small but not always private areas. Vattaras in many parts of the city made multiple use of little courtyards, and jagalis or street front platforms were part of the furniture of the home, used by family members and visitors alike. Industrial townships, such as Doorvaninagar, or older working class areas, such as Murphy Town, were generously endowed with shaded open squares onto which the small homes opened.
Bangalore is still a place where the ‘ideal home’ is usually a house planted on a plot of land or a site. But even the proudest homes have crumbled before the power of the real estate market which has turned most large compounds into apartment blocks. Apartment buildings protect anonymity, and enable high levels of security and privacy. The design of space within apartments has by and large dissolved the privacy of dining rooms, and even kitchens, while allowing for more privacy of the bedroom. Even the family deities today have more than a customary kitchen corner, a designated room in the house. Larger apartment complexes are furnished with recreational facilities for the exclusive use of residents, ensuring more security or hygiene than the public park or swimming pool. Indeed, what is promised to luxury apartment or site owners is not merely a house or a piece of real estate but a wholly planned lifestyle.
For the labouring poor, privacy is defined in ways that are not always physical, and domestic tasks and even personal ablutions are frequently performed on the sides of the road, which may also serve as workplace, godown or space for sleeping, in a spirited defiance of middle class zoning laws. The public water tap is a place for women to socialise as they perform daily chores, and the house front is an extended living room.
More recently the principles of ‘vaastu’ have reorganised living and working spaces, an economy fueled by the fears and fantasies of the upper and middle classes. The uncertainties of economic success or political life have made business people and politicians particularly vulnerable to notions of ‘luck’ and ‘ill-luck’ in the design of domestic and commercial space. But the city wears other signs of an architecture of fear: high walled compounds with 24 hour security and large metaled entrances where low walls and simple wooden gates once sufficed.
Ownership of consumer goods and western style furniture has been made not just affordable but desirable, so that home interiors are increasingly designed to accommodate and sometimes display these acquisitions. Since the 1980s, the growth of televisual culture has radically altered domestic space. Within most homes across the spectrum, rich or poor, the television has become the focal point of living space, an essential piece of furniture, its moving image sometimes even serving as decoration. |
|

| Extended Families: Family of PG D’Souza, 1956
Courtesy: Peter Colaco | | | 
| Cloistered home, Hosur Road, 1972-73
Photo by Elizabeth Staley | | | 
| Private play space, Richmond Town, 1972-73
Photo by Elizabeth Staley | | | 
| Public private space, Ulsoor burial ground, 1999
Photo by G. Raghav | | | 
| Apartment lives, 1999
Photo by G. Raghav | | | 
| Apartment lives, 2000
Photo by Clare Arni | | | 
| Gated public space, Cubbon Park, 1999
Photo by G. Raghav | | | 
| Multiple uses of communal space, Murphy Town 2000
Photo by Clare Arni | | | 
| Public private space, Kadirenapalya , 2000
Photo by Clare Arni | | | 
| Low walls, see through gates, Palace Road, 1972-73
Photo by Elizabeth Staley | | | 
| Architecture of fear? 1999
Photo by G. Raghav | | | 
| House in Fraser Town, 2000
Photo by Clare Arni | | | 
| Basavanagudi flat, with two kitchens and living rooms, 2000
Photo by Clare Arni | | | 
| House in Murphy Town, 2000
Photo by Clare Arni | | | 
| Staircase of old house on Narayanpillai Street
Photo by G. Raghav | | |
|
|